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In- Gate Gallery is pleased to present the inaugural exhibition in the new Brussels location, the solo show of Danja Akulin “ Between the Lines ” , on view from...

In-Gate Gallery is pleased to present Meeting with your Nature , an exhibition project combining two installations that consistently develop their general idea and form two parts of the show...

In- Gate Gallery is pleased to present the solo show by Anatoly Akue Meeting with Your Nature: The Presence , on view from September 29 until December 03 , 2022...

In-Gate Gallery is pleased to present the solo show by Dasha Rybina “Reverse Side ”, on view from 8 December , 2022 , until 4 February , 2023 . For...

In-Gate Gallery is pleased to present Age of Wisdom , a solo exhibition by Vladimir Semenskiy ( b.1968 in Imantau, Kazakhstan), on view from 18 February untill 8 April, 2023...

“ Not one person in a hundred knows how to be silent and listen, no, nor even to conceive what such a thing means. Yet, only then can you detect,...

Duo exhibition entitled Memory Archives brings together works by Semyon Agroskin (b.1961 in Soviet Union) and Dino Chatila (b.1964 in Venezuela) in a bipolar installation of figurative and abstract paintings....

For his first exhibition with the gallery, entitled History of the Present , Konstantin Totibadze (b. 1969 in Tbilisi, Georgia) created series of new works (2022-2023) with oil on canvas....

Duo exhibition entitled “Tales of Space and Time”, on view from 23 May until 13 June 2024, brings together ink drawings on paper by Julia Kissina (b. 1966 in Kiev, UA) and sculptures by Senne Roekens (b. 1995 in Antwerp, BE) in a fascinating and emotional installation which creates a dialogue between two artists and engages irony, fantasy, and imagination.

Solo exhibition entitled To See & To Comprehend includes a selection of recent works by Semyon Agroskin (b.1961 in Soviet Union) in small and medium formats realized with oil on...

Solo exhibition entitled “Lost Memories”, on view from 23 January until 8 March 2025, brings together two series of paintings created by Alexander Morozov (b. 1974 in Lougansk, UA) and united by the theme of the phenomenon of human memories and its interconnection with the flow of time. In its content and its focus, Alexander Morozov’s artistic practice is similar to memory studies. The artist is interested in memory as a tool and an activity that simultaneously records the past and transfers its imprint to the present. By exploring the boundaries between the intangible image and the form, the text and the image, the dark areas of memory and consciousness, he creates paradoxical personal spaces, emphasizing the areas of social and psychological rupture. Among Alexander Morozov’s prominent projects are The Black Book and Icons series. In the first the artist turns to the theme of the gaps in the cultural memory, recreating artifacts destroyed during the military conflicts. The second is focused on depicting everyday subjects in the egg tempera technique, characteristic of European art in the 15th–17th centuries. Collectively, the works in both series presented in the exhibit constitute a visual and poetic statement on the lost past and its ubiquity in the present.